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An Introduction to the Papara Jazz Project


What is ‘Papara’ music?

The Papara also known as ‘Molam’ is a style of music native to Sri Lanka with South Indian, Portuguese, Dutch, and British influences. It is musically rich with rhythmic patterns, especially polyrhythms played on a variety of percussion instruments and melodious tunes close to the heart of locals played mainly on the Trumpet with the occasional addition of other wind instruments such as the Trombone and Saxophone. The Papara music is usually played in sporting events and cultural events such as the perahera, weddings, and social gatherings. It is safe to say that it has the potential to make, not only a Sri Lankan, but anyone dance to its 6/8 groove.


What This Research Is About

Papara music holds a significant cultural and musical heritage in Sri Lanka, yet there is a notable absence of high-quality recordings that capture its live energy and essence. This research aims to address these gaps by exploring innovative sound engineering techniques and genre fusion to elevate the standards of Papara music. Through a collaborative effort between sound engineers and musicians, this research aims to establish new benchmarks for Papara music recording and genre fusion. By documenting and disseminating findings, it seeks to inspire future generations of musicians and researchers to further innovate within the realm of traditional Sri Lankan music.


Research Objectives

  • Improve Papara Recording Techniques through innovative sound engineering practices.
  • Explore the integration of Papara music with Jazz to expand its stylistic range and creative possibilities.
  • Investigate how Jazz influences can enhance Papara music, focusing on improvisation, harmonic structures, and rhythmic elements.
  • Develop new forms of Papara compositions by incorporating elements like harmony and bass lines.
  • Facilitate rudimentary music education and training methods through detailed analysis and documentation.
  • Disseminate acquired knowledge to diverse communities in Sri Lanka and internationally.

 

Method of the Research

Practice-based research will serve as the core methodology for this project. Collaborative sessions will involve Papara bands, seasoned sound engineers, and versatile musicians recognized for their expertise in the industry. All participants, driven by a shared passion for Papara music, will engage in pre and post-production interviews, supplemented by comprehensive videotaping and multitrack audio recordings. All the processes will be videotaped & audio will be multi-track recorded.

Phase 1: Sound Engineering Collaboration

  • Assemble a team of proficient sound engineers experienced in diverse musical genres, including Papara.
  • Conduct collaborative recording sessions to capture the live energy and authenticity of Papara music.
  • Experiment with various sound engineering techniques, such as mic placement and room acoustics, to optimize sound quality and fidelity.

Phase 2: Genre Fusion Experimentation   

  •  Explore innovative genre fusion possibilities with Papara music
  • Arrange and perform compositions that blend Papara with Jazz elements, emphasizing mutual influence and creative innovation.
  • Analyze audience reception and musician feedback to assess the success and potential of genre fusion approaches.

 

Importance of this project

This research aims to enhance and promote Papara music by improving recording quality and exploring genre fusion. It addresses gaps in sound engineering and integrates diverse musical influences to elevate Papara music to international standards while preserving its cultural authenticity. Collaboration between engineers and musicians will set new benchmarks, inspiring future innovation in Sri Lankan music.

Playing Papara music has historically faced resistance from conservative music circles in Sri Lanka, hindering its broader acceptance and development. Many musicians and artists, while enjoying Papara music, have been hesitant to fully embrace it as a distinct genre. This reluctance, compounded by a lack of recognition and professional opportunities, has stifled the growth of Papara music. I firmly believe that Papara music represents a profound Sri Lankan heritage, encapsulating the essence of the island's soul. With proper guidance, it has the potential to reach new heights. The knowledge gained through my research underscores this potential. Elevating Papara music could positively impact Sri Lankan culture and economy, particularly in enhancing the tourism sector and creating new job opportunities once it evolves into a lucrative industry. 



by Nuwan Gunawardhana

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